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  • Night on Earth

    A collection of five stories involving cab drivers in five different cities. Los Angeles - A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver’s career. New York - An immigrant cab driver is continually lost in a city and culture he doesn’t understand. Paris - A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome - A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki - an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death. Written by Ed Sutton {esutton@mindspring.com}

  • The 11th Hour

    This first appeared on www.realmoviereview.com I applaud Leonardo DiCaprios effort to co-write and co-produce this Al Gore-style environmental warning film.

    I agree with his views and those espoused by the never-ending parade of speakers about the need to address the environmental collapse that threatens to destroy our way of life, and indeed our very lives, however, I think he really could have found a better way to express these views. His heart is in the right place, but Leo, my friend, heart aint enough. He has some interesting speakers but repetition might help study for a biology exam, but it doesnt do much for entertainment.

  • Baraka

    Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.”

    It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

  • Why bother?

    That really is the big question facing us as individuals hoping to do something about, and it’s not an easy one to answer. I don’t know about you, but for me the most upsetting moment in “An Inconvenient Truth” came long after Al Gore scared the hell out of me, constructing an utterly convincing case that the very survival of life on earth as we know it is threatened by climate change. No, the really dark moment came during the closing credits, when we are asked to . . . change our light bulbs. That’s when it got really depressing. The immense disproportion between the magnitude of the problem Gore had described and the puniness of what he was asking us to do about it was enough to sink your heart.

  • Awakening the Divine Within

    The film examines the re-emergence of archaic techniques of ecstacy in the modern world by weaving a synthesis of ecological and evolutionary awareness,electronic dance culture, and the current pharmacological re-evaluation of entheogenic compounds. Within a narrative framework that imagines consciousness itself to be evolving, Entheogen documents the emergence of techno-shamanism in the post-modern world that frames the following questions: How can a renewal of ancient initiatory rites of passage alleviate our ecological crisis? What do trance dancing and festivals celebrating unbridled artistic expression speak to in our collective psyche? How do we re-invent ourselves in a disenchanted world from which God has long ago withdrawn? Entheogen invites the viewer to consider that the answers to these questions lie within the consciousness of each and every human being, and are accessible if only we give ourselves permission to awaken to the divine within.

May

This is the archive for May, 2008.

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